Workshop internazionale

The Study of Musical Performance in Antiquity: Archaeology and Written Sources

6 November 2015

Aula Olimpia (Facoltà di Lettere - "Sapienza)

9.30-10.00: Welcome (Lorenzo Verderame, “Sapienza”) / Introduction (Agnès Garcia-Ventura, “Sapienza”)

10.00-11.00: Panel 1

10.00-10.30: Eleonora Rocconi (Università degli Studi di Pavia): “Music Archeology and the Study of Greek and Roman World: an Overview”

10.30-11.00: Daniele F. Maras (Pontificia Accademia Romana di Archeologia): “Music Performances with Mythological Subjects: From Greece to Etruria”

11.30-12.00: Raquel Jiménez Pasalodos (Universidad de Valladolid): “The Music of the Other: Classical Sources on Iberian Indigenous Music from the Perspective of Archaeological Evidence"

12.00-12.30: Kamila Wyslucha (University of Wroclaw, Poland): “Tibia multifora, multiforabilis, multiforatilis... an Interpretation of Depiction of the “Many-holed” tibia in Written Sources”

15.00-15.30: Claudia Tavolieri (Università degli Studi Roma Tre): “Body and Soul: the Danger of Music and Song in the Context of Syriac Christianity”

15.30-16.00: Dahlia Shehata (Universität Würzburg): “Vocal Music Performance in Mesopotamia”

16.30-17.00: Regine Pruzsinszky (Albert-Ludwigs-Universität Freiburg): “«The Poor Musician» in Ancient Near Eastern Texts and Images”

17.00-17.30: Mirco Mungari (EMAP, European Music Archaeology Project): “Pompeii and Herculaneum: Looking at Roman Music through a Frosted Glass”